Open source Elasticsearch & Next.js museum search.
Calligraphy (reverse), late 1800s. Ten-panel folding screen affixed with album leaves (obverse), calligraphy (reverse), ink and color on silk, Image: 117.7 x 33.5 cm (46 5/16 x 13 3/16 in.); Panel: 164.5 x 43.6 cm (64 3/4 x 17 3/16 in.). Bequest of Gordon K. Mott, 1998.286.b. CC0.
Calligraphy (reverse)
late 1800s
Maker Unknown
Korean Art
Calligraphy (reverse), late 1800s. Korea, Joseon dynasty (1392-1910). Ten-panel folding screen affixed with album leaves (obverse), calligraphy (reverse), ink and color on silk; image: 117.7 x 33.5 cm (46 5/16 x 13 3/16 in.); panel: 164.5 x 43.6 cm (64 3/4 x 17 3/16 in.). The Cleveland Museum of Art, Bequest of Gordon K. Mott 1998.286.b A calligrapher has brushed several Chinese poems about the four seasons on the reverse side, among them "Composing in the Daytime of Summer" by Tang poet Liu Zongyuan (773–819) and "Composing when Spring Begins" by Song scholar Zhang Shi (1133–1180).