Photo of collection object Study of a Flayed Torso (verso)
Bartolommeo da Arezzo. Study of a Flayed Torso (verso), 1554. pen and brown ink and brush and brown wash over traces of black chalk; incised, Sheet: 40.5 x 27.6 cm (15 15/16 x 10 7/8 in.). L. E. Holden Fund, 1975.26.b. CC0.

Study of a Flayed Torso (verso)

1554

Bartolommeo da Arezzo

Bartolommeo da Arezzo (Italian, active about 1550–80)

Drawings

Study of a Flayed Torso (verso), 1554. Bartolommeo da Arezzo (Italian, active about 1550–80). Pen and brown ink and brush and brown wash over traces of black chalk; incised; sheet: 40.5 x 27.6 cm (15 15/16 x 10 7/8 in.). The Cleveland Museum of Art, L. E. Holden Fund 1975.26.b In order to understand the movement of the human form, Michelangelo was known to have studied flayed bodies (cadavers with their skin removed) and in fact made several drawings of them. Bartolommeo da Arezzo—a follower of Michelangelo working a generation after the master—became obsessed with studying corpses, even stealing them from local graveyards. On one side of this sheet (verso), he drew a flayed torso.
Classification
Drawing
Formatted Medium
pen and brown ink and brush and brown wash over traces of black chalk; incised
Dimensions
Sheet: 40.5 x 27.6 cm (15 15/16 x 10 7/8 in.)
Inscribed
Inscription: signed, lower right, in brown ink: demano de bar / tolomeo aretino / 1554 ; by artist(?), upper right, in brown ink: [5?] [over- and underlined] ; by artist(?), lower left, in brown ink: N° 9 ; by artist(?), lower right, in brown ink: [N. 15?]
Departments
Drawings
Accession Number
1975.26.b
Credit Line
L. E. Holden Fund
Rights Statement
CC0

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