Photo of collection object Two Studies of a Flayed Man (recto)
Bartolommeo da Arezzo. Two Studies of a Flayed Man (recto), 1554. pen and brown ink and brush and brown wash over black chalk; incised (both figures) and pricked (left figure), Sheet: 40.5 x 27.6 cm (15 15/16 x 10 7/8 in.). L. E. Holden Fund, 1975.26.a. CC0.

Two Studies of a Flayed Man (recto)

1554

Bartolommeo da Arezzo

Bartolommeo da Arezzo (Italian, active about 1550–80)

Drawings

Two Studies of a Flayed Man (recto), 1554. Bartolommeo da Arezzo (Italian, active about 1550–80). Pen and brown ink and brush and brown wash over black chalk; incised (both figures) and pricked (left figure); sheet: 40.5 x 27.6 cm (15 15/16 x 10 7/8 in.). The Cleveland Museum of Art, L. E. Holden Fund 1975.26.a In order to understand the movement of the human form, Michelangelo was known to have studied flayed bodies (cadavers with their skin removed) and in fact made several drawings of them. Bartolommeo da Arezzo—a follower of Michelangelo working a generation after the master—became obsessed with studying corpses, even stealing them from local graveyards. On one side of this sheet (recto), he drew two views of the lower part of the same body, which is half flayed and shown hanging above the ground.
Classification
Drawing
Formatted Medium
pen and brown ink and brush and brown wash over black chalk; incised (both figures) and pricked (left figure)
Dimensions
Sheet: 40.5 x 27.6 cm (15 15/16 x 10 7/8 in.)
Inscribed
Inscription: signed, lower right, in brown ink: demano de bart / aretino . 1554 . [underlined] ; by artist(?), lower center, in brown ink: N° 10 ; lower right, in graphite [Bartolo° T?] [partially masked]
Departments
Drawings
Accession Number
1975.26.a
Credit Line
L. E. Holden Fund
Rights Statement
CC0

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