Photo of collection object The Pond at the Entrance of the Woods — Corot, Jean-Baptiste-Camille. The Pond at the Entrance of the Woods, c. 1860–75. oil on fabric, Unframed: 46 x 61 cm (18 1/8 x 24 in.). Bequest of William G. Mather, 1951.330. CC0.

The Pond at the Entrance of the Woods

c. 1860–75

Jean Baptiste Camille Corot

Jean Baptiste Camille Corot (French, 1796–1875)

Modern European Painting and Sculpture

The Pond at the Entrance of the Woods, c. 1860–75. Jean Baptiste Camille Corot (French, 1796–1875). Oil on fabric; unframed: 46 x 61 cm (18 1/8 x 24 in.). The Cleveland Museum of Art, Bequest of William G. Mather 1951.330 This painting's first recorded owner was the Dowager Duchess of Newcastle, née Henrietta-Adela Hope, who became a widow of the sixth duke Henry Pelham Alexander in 1879.

Original Source

Maker/Artist: Corot, Jean-Baptiste-Camille
Classification: Painting
Formatted Medium: oil on fabric
Medium: oil, fabric
Dimensions: Unframed: 46 x 61 cm (18 1/8 x 24 in.)
Inscribed: Inscription: Signed lower left in dark brown paint: corot
Departments: Modern European Painting and Sculpture
Accession Number: 1951.330
Credit Line: Bequest of William G. Mather
Exhibitions: Cleveland, Kinney and Levan Building. Illustrated Catalogue of the Cleveland Art Loan Exposition Under the Auspices of the Cleveland School of Art (1913), no. 30c, L'étang à l'entrée du bois, lent by William G. Mather.<br>CMA. (2 March-19 May 1920), no cat.
Rights Statement: CC0

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