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Take a look at the most important gifts from top collectors to global institutions this year.
The large-scaled painting is now the most-expensive work of Indian modern art ever sold at auction.
It's a first look at Hackman's collection. He was a major arts patron in Santa Fe.
Following conservative backlash, East Tennessee State University's Reece Museum cancelled an exhibition of social and politically engaged art.
The series was the largest group of Hockey iPad drawings ever to come to market.
The work, insured for $700,000, was en route to a still life show at the CajaGranada Cultural Center.
A 2011 mirror piece by Michelangelo Pistoletto went for £234,950 ($315,800)—seven times its estimate.
The work appeared in the artist's 1943 Museum of Modern Art retrospective.
Nadine Khoury, a Dubai-based collector, curator, and art adviser, turns eager Khaleeji professionals into seasoned collectors.
Soutine’s representational canvases may have fallen out amid micentury AbEx fervor, but they are certainly back in now.
The objects were on loan from the Louvre, the Royal Collection Trust, and the V&A
A hidden, Indigenous-led exhibit has offered new meanings to the America Wing of the Metropolitan Museum of Art.
The biggest fireworks were for Francis Bacon and Lucy Bull.
A new exhibition marks what would have been the artist's 100th birthday.
“Hard Art: Unruly Selections from the Beth Rudin DeWoody Collection” includes work by artists like Sally Mann, Judith Bernstein, Marilyn Minter, Dash Snow, and Derrick Adams.
A sign of the times.
An investment banker accused the farmer of working a dealer to swindle him.
The suspect urinated into a reflection pool and stomped on the symbolic eternal flame.
“I want Tokyo to be the center of art in Asia,” Pace Japan Vice President Kyoko Hattori said in a recent interview. “I want to see it happen.”
Despite at least two galleries selling out their booths in Frieze's "Focus" section, many are keeping schtum, which is usually not a good omen.
The installation was short lived, which was entirely the point.
There’s an old saying about quality: you’re only as good as the weakest link in the chain. That may go for art-fair booths too, but it’s not the middling pictures that pull people in. You need a banger—something that borders on spectacle, that cuts through the noise and overpowers the lure of the Ruinart champagne […]
"We are here to reverse what The Beatles did in 1964,” Jack Chase, one of the two enterprising art dealers behind U-Haul Gallery said about their trip to London.
Small and mid-size cultural organizations are banding together to weather federal funding cuts.
