MoMA

The Brad Johnson Tape, X – On Subjugation, 2017

Tiona Nekkia McClodden

American, born 1981

Whitney Museum of American Art

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The Screw. Being so designed, moves its way spatially on the basis of an optical illusion. Like the Barber's Shop pole, where a circumferential movement, if perfectly steady, looks nothing like an impotent spinning around its axis (such as it is), 2005

Gareth James