Photo of collection object Untitled from The New York Collection for Stockholm — Whitman, Robert. Untitled from The New York Collection for Stockholm, 1973. Double-sided screenprint, folded, from a portfolio of seventeen screenprints, nine lithographs, two lithographs with screenprint, one photocopy, and one photograph, composition (irreg.): 3/16 x 35 11/16" (0.5 x 90.7cm); sheet: 11 15/16 x 17 7/8" (30.3 x 45.4cm). Gift of Steven M. Feinstein, 625.1973.30. (Photo: MoMA)

MoMA

Untitled from The New York Collection for Stockholm

1973

Robert Whitman

American, born 1935

Drawings & Prints

Original Source

Maker/Artist: Whitman, Robert
Classification: Print
Formatted Medium: Double-sided screenprint, folded, from a portfolio of seventeen screenprints, nine lithographs, two lithographs with screenprint, one photocopy, and one photograph
Medium: double-sided, screenprint, folded, from, portfolio, screenprints, lithographs, photocopy, photograph
Dimensions: composition (irreg.): 3/16 x 35 11/16" (0.5 x 90.7cm); sheet: 11 15/16 x 17 7/8" (30.3 x 45.4cm)
Departments: Drawings & Prints
Accession Number: 625.1973.30
Credit Line: Gift of Steven M. Feinstein
Dominant Colors

Have a concern, a correction, or something to add?

Similar Artworks

MoMA

Photo of collection object Untitled

Untitled

Robert Whitman

1974

MoMA

Photo of collection object Untitled

Untitled

Robert Whitman

(1964)

MoMA

Photo of collection object Untitled

Untitled

Robert Whitman

1973

MoMA

Photo of collection object Garbage Bag

Garbage Bag

Robert Whitman

c. 1962

MoMA

Photo of collection object Study for Stairs

Study for Stairs

Robert Whitman

1973

MoMA

Photo of collection object Sounds for 4 Cinema Pieces

Sounds for 4 Cinema Pieces

Robert Whitman

1968

MoMA

Photo of collection object And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object . . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

. . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

Open source Elasticsearch & Next.js museum search.

Let's Stay Connected