Skip to main content

musefully Art News Events

Open source Elasticsearch & Next.js museum search.

Art News Events

Red, White and Blue from 1776 USA 1976 Bicentennial Prints | musefully

Image Unavailable

Anuszkiewicz, Richard Joseph. Red, White and Blue from 1776 USA 1976 Bicentennial Prints, 1975 (Published 1976).. One screenprint from a portfolio of six lithographs, five screenprints and one aquatint, composition 26 3/4 x 20 15/16" (67.9 x 53.2 cm) sheet 28 x 22" (71.1 x 55.9 cm). Gift of the Special Projects Group, 416.1977.1. (Photo: MoMA)

MoMA

Red, White and Blue from 1776 USA 1976 Bicentennial Prints

1975 (Published 1976).

Richard Anuszkiewicz

American, 1930–2020

Drawings & Prints

Original Source

Maker/Artist: Anuszkiewicz, Richard Joseph
Classification: Print
Formatted Medium: One screenprint from a portfolio of six lithographs, five screenprints and one aquatint
Medium: screenprint, from, portfolio, lithographs, screenprints, aquatint
Dimensions: composition 26 3/4 x 20 15/16" (67.9 x 53.2 cm) sheet 28 x 22" (71.1 x 55.9 cm)
Departments: Drawings & Prints
Accession Number: 416.1977.1
Credit Line: Gift of the Special Projects Group

Have a concern, a correction, or something to add?

Similar Artworks

MoMA

Photo of collection object Concentric II from American Abstract Artists 60th Anniversary Print Portfolio

Concentric II from American Abstract Artists 60th Anniversary Print Portfolio

Richard Anuszkiewicz

1997

MoMA

Photo of collection object Diamond Chroma from New York Ten

Diamond Chroma from New York Ten

Richard Anuszkiewicz

1965

MoMA

Photo of collection object Zonal from The Metropolitan Scene

Zonal from The Metropolitan Scene

Richard Anuszkiewicz

1968

MoMA

Photo of collection object And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object . . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

. . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Intelligence Was Mine! I Became the Buddha (L'Intelligence fût à moi! Je devins le Buddha) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Intelligence Was Mine! I Became the Buddha (L'Intelligence fût à moi! Je devins le Buddha) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Oannès: I, the First Consciousness of Chaos, Arose from the Abyss to Harden Matter, to Regulate Form (Oannès: Moi, la première conscience du chaos, j'ai surgi de l'abîme pour durcir la matière, pour régle) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Oannès: I, the First Consciousness of Chaos, Arose from the Abyss to Harden Matter, to Regulate Form (Oannès: Moi, la première conscience du chaos, j'ai surgi de l'abîme pour durcir la matière, pour régle) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896