Skip to main content

musefully Art News Events

Open source Elasticsearch & Next.js museum search.

Art News Events

Acteon from Brunidor Portfolio, No. 1 | musefully

Photo of collection object Acteon from Brunidor Portfolio, No. 1 — Seligmann, Kurt. Acteon from Brunidor Portfolio, No. 1, 1947. Etching from a portfolio of five etchings (one with engraving) and two lithographs, plate: 11 3/4 x 8 13/16" (29.8 x 22.4 cm); sheet: 16 9/16 x 13 1/16" (42 x 33.1 cm). Purchase Fund, 342.1947.6. (Photo: MoMA)

MoMA

Acteon from Brunidor Portfolio, No. 1

1947

Kurt Seligmann

American, born Switzerland. 1900–1962

Drawings & Prints

Original Source

Maker/Artist: Seligmann, Kurt
Classification: Print
Formatted Medium: Etching from a portfolio of five etchings (one with engraving) and two lithographs
Medium: etching, from, portfolio, etchings, engraving, lithographs
Dimensions: plate: 11 3/4 x 8 13/16" (29.8 x 22.4 cm); sheet: 16 9/16 x 13 1/16" (42 x 33.1 cm)
Departments: Drawings & Prints
Accession Number: 342.1947.6
Credit Line: Purchase Fund

Have a concern, a correction, or something to add?

Similar Artworks

MoMA

Photo of collection object Meditation

Meditation

Kurt Seligmann

1950

MoMA

Photo of collection object Phantom of the Past from VVV Portfolio

Phantom of the Past from VVV Portfolio

Kurt Seligmann

1942, published 1943

MoMA

Photo of collection object Plate (folio 41) from 23 Gravures

Plate (folio 41) from 23 Gravures

Kurt Seligmann

1933, published 1935

MoMA

Photo of collection object Pleine Marge

Pleine Marge

Kurt Seligmann

1943

MoMA

Photo of collection object Exorcism

Exorcism

Kurt Seligmann

1954

MoMA

Photo of collection object Costume design for the Raven-Phoenix for the ballet The Golden Fleece

Costume design for the Raven-Phoenix for the ballet The Golden Fleece

Kurt Seligmann

(1940)

MoMA

Photo of collection object And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object . . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

. . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896