Skip to main content

musefully Art News Events

Open source Elasticsearch & Next.js museum search.

Art News Events

Custom Print III from 11 Pop Artists, Volume III | musefully

Photo of collection object Custom Print III from 11 Pop Artists, Volume III — Phillips, Peter. Custom Print III from 11 Pop Artists, Volume III, 1965, published 1966. Screenprint on foil from a portfolio of ten screenprints and one lithograph, composition: 24 5/16 x 40" (61.7 x 101.6cm); sheet: 24 5/16 x 40" (61.7 x 101.6cm). Gift of Original Editions, 274.1966.3d. (Photo: MoMA)

MoMA

Custom Print III from 11 Pop Artists, Volume III

1965, published 1966

Peter Phillips

British, born 1939

Drawings & Prints

Original Source

Maker/Artist: Phillips, Peter
Classification: Print
Formatted Medium: Screenprint on foil from a portfolio of ten screenprints and one lithograph
Medium: screenprint, foil, from, portfolio, screenprints, lithograph
Dimensions: composition: 24 5/16 x 40" (61.7 x 101.6cm); sheet: 24 5/16 x 40" (61.7 x 101.6cm)
Departments: Drawings & Prints
Accession Number: 274.1966.3d
Credit Line: Gift of Original Editions

Have a concern, a correction, or something to add?

Similar Artworks

MoMA

Photo of collection object Custom Print #1

Custom Print #1

Peter Phillips

1965

MoMA

Photo of collection object Custom Print I from 11 Pop Artists, Volume I

Custom Print I from 11 Pop Artists, Volume I

Peter Phillips

1965, published 1966

MoMA

Photo of collection object Custom Print II from 11 Pop Artists, Volume II

Custom Print II from 11 Pop Artists, Volume II

Peter Phillips

1965, published 1966

MoMA

Photo of collection object And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object . . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

. . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Intelligence Was Mine! I Became the Buddha (L'Intelligence fût à moi! Je devins le Buddha) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Intelligence Was Mine! I Became the Buddha (L'Intelligence fût à moi! Je devins le Buddha) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Oannès: I, the First Consciousness of Chaos, Arose from the Abyss to Harden Matter, to Regulate Form (Oannès: Moi, la première conscience du chaos, j'ai surgi de l'abîme pour durcir la matière, pour régle) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Oannès: I, the First Consciousness of Chaos, Arose from the Abyss to Harden Matter, to Regulate Form (Oannès: Moi, la première conscience du chaos, j'ai surgi de l'abîme pour durcir la matière, pour régle) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896