Photo of collection object Pastoral (Pastorale) from Essai dur l'histoire de la lithographie en France. Les Peintures lithographes de Manet à Matisse. Album de lithographies originales. — Roussel, Ker-Xavier. Pastoral (Pastorale) from Essai dur l'histoire de la lithographie en France. Les Peintures lithographes de Manet à Matisse. Album de lithographies originales., c. 1924. Lithograph from a portfolio of 16 lithographs, composition: 6 7/16 x 8 7/8" (16.4 x 22.5 cm); sheet: 10 13/16 × 14 3/8" (27.4 × 36.5 cm). Purchase, 175.1949.16. (Photo: MoMA)

MoMA

Pastoral (Pastorale) from Essai dur l'histoire de la lithographie en France. Les Peintures lithographes de Manet à Matisse. Album de lithographies originales.

c. 1924

Ker-Xavier Roussel

French, 1867–1944

Drawings & Prints

Original Source

Maker/Artist: Roussel, Ker-Xavier
Classification: Print
Formatted Medium: Lithograph from a portfolio of 16 lithographs
Medium: lithograph, from, portfolio, lithographs
Dimensions: composition: 6 7/16 x 8 7/8" (16.4 x 22.5 cm); sheet: 10 13/16 × 14 3/8" (27.4 × 36.5 cm)
Departments: Drawings & Prints
Accession Number: 175.1949.16
Credit Line: Purchase
Dominant Colors

Have a concern, a correction, or something to add?

Similar Artworks

MoMA

Photo of collection object Biblical Scene

Biblical Scene

Ker-Xavier Roussel

1894, published 1895

Brooklyn Museum

Brooklyn Museum

Photo of collection object Bathers (Baigneuses)

Bathers (Baigneuses)

Ker-Xavier Roussel

ca. 1900

Brooklyn Museum

Brooklyn Museum

Photo of collection object The Source (La Source)

The Source (La Source)

Ker-Xavier Roussel

ca. 1900

Brooklyn Museum

Brooklyn Museum

Photo of collection object Landscape with House (Paysage avec maison)

Landscape with House (Paysage avec maison)

Ker-Xavier Roussel

1897

MoMA

Photo of collection object Reclining Woman

Reclining Woman

Ker-Xavier Roussel

c. 1895

MoMA

Photo of collection object And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object . . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

. . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

Open source Elasticsearch & Next.js museum search.

Let's Stay Connected