Gary Kuehn. ANOTHER OF THE ETERNAL FIGURES from the portfolio MEANS AND ENDS, 1975. Branding, irreg composition 4 3/8 x 4" (11.2 x 10.2 cm) folded sheet 12 7/8 x 10" (32.7 x 25.5 cm). Acquired with matching funds from Carol O. Selle and the National Endowment for the Arts, 27.1979.9. (Photo: MoMA)

MoMA

ANOTHER OF THE ETERNAL FIGURES from the portfolio MEANS AND ENDS

1975

Gary Kuehn

American, born 1939

Drawings & Prints

Maker/Artist: Gary Kuehn
Classification: Print
Formatted Medium: Branding
Medium: branding
Dimensions: irreg composition 4 3/8 x 4" (11.2 x 10.2 cm) folded sheet 12 7/8 x 10" (32.7 x 25.5 cm)
Departments: Drawings & Prints
Accession Number: 27.1979.9
Credit Line: Acquired with matching funds from Carol O. Selle and the National Endowment for the Arts

Have a concern, a correction, or something to add?

Similar Artworks

MoMA

Photo of collection object Means and Ends

Means and Ends

Gary Kuehn

(1975)

MoMA

Photo of collection object Drawing for Sculpture

Drawing for Sculpture

Gary Kuehn

1967

MoMA

Photo of collection object And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object . . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

. . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Intelligence Was Mine! I Became the Buddha (L'Intelligence fût à moi! Je devins le Buddha) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Intelligence Was Mine! I Became the Buddha (L'Intelligence fût à moi! Je devins le Buddha) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Oannès: I, the First Consciousness of Chaos, Arose from the Abyss to Harden Matter, to Regulate Form (Oannès: Moi, la première conscience du chaos, j'ai surgi de l'abîme pour durcir la matière, pour régle) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Oannès: I, the First Consciousness of Chaos, Arose from the Abyss to Harden Matter, to Regulate Form (Oannès: Moi, la première conscience du chaos, j'ai surgi de l'abîme pour durcir la matière, pour régle) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Here Is the Good Goddess, the Idaean Mother of the Mountains (Voici la bonne-déesse, l'idéenne des montagnes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Here Is the Good Goddess, the Idaean Mother of the Mountains (Voici la bonne-déesse, l'idéenne des montagnes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

Open source Elasticsearch & Next.js museum search.

Let's Stay Connected