Photo of collection object Original & Forgery (Original + Fälschung) from Weekend — K. H. Hödicke. Original & Forgery (Original + Fälschung) from Weekend, 1972. Screenprint from a portfolio of nine screenprints (two with glitter additions), five stereotype and linoleum cuts, four offset lithographs, and one multiple, composition (each of 2): 14 15/16 x 23 1/4" (38 x 59.1 cm); sheet: 37 13/16 x 24 3/4" (96 x 62.9 cm). Seiden and de Cuevas Foundation Fund, 1.1973.7. (Photo: MoMA)

MoMA

Original & Forgery (Original + Fälschung) from Weekend

1972

K. H. Hödicke

German, born 1938

Drawings & Prints

Original Source

Maker/Artist: K. H. Hödicke
Classification: Print
Formatted Medium: Screenprint from a portfolio of nine screenprints (two with glitter additions), five stereotype and linoleum cuts, four offset lithographs, and one multiple
Medium: screenprint, from, portfolio, screenprints, glitter, additions, stereotype, linoleum, cuts, offset, lithographs, multiple
Dimensions: composition (each of 2): 14 15/16 x 23 1/4" (38 x 59.1 cm); sheet: 37 13/16 x 24 3/4" (96 x 62.9 cm)
Departments: Drawings & Prints
Accession Number: 1.1973.7
Credit Line: Seiden and de Cuevas Foundation Fund
Dominant Colors

Have a concern, a correction, or something to add?

Similar Artworks

MoMA

Photo of collection object Magic Window Cleaner II from Graphics of Capitalist Realism (Grafik des Kapitalistischen Realismus)

Magic Window Cleaner II from Graphics of Capitalist Realism (Grafik des Kapitalistischen Realismus)

K. H. Hödicke

1967, published 1968

MoMA

Photo of collection object Where is the Elephant (Wo ist der Elefant) from Weekend

Where is the Elephant (Wo ist der Elefant) from Weekend

K. H. Hödicke

1972

MoMA

Photo of collection object Young Socialist in the Woods (Jungsozialistin im Wald) from Weekend

Young Socialist in the Woods (Jungsozialistin im Wald) from Weekend

K. H. Hödicke

1972

MoMA

Photo of collection object Where is the Artist (Wo ist der Maler) from Weekend

Where is the Artist (Wo ist der Maler) from Weekend

K. H. Hödicke

1972

MoMA

Photo of collection object Self Portrait (Selbstbildnis) from Graphics of Capitalist Realism (Grafik des Kapitalistischen Realismus)

Self Portrait (Selbstbildnis) from Graphics of Capitalist Realism (Grafik des Kapitalistischen Realismus)

K. H. Hödicke

1971

MoMA

Photo of collection object And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object . . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

. . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

Open source Elasticsearch & Next.js museum search.

Let's Stay Connected