Photo of collection object And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voutes) (plate V) from La Tentation de Saint-Antoine — Redon, Odilon. And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voutes) (plate V) from La Tentation de Saint-Antoine, 1896, published 1938. Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates), composition: 9 9/16 × 7 1/2" (24.3 × 19.1 cm); page: 17 1/16 × 13" (43.4 × 33 cm). The Louis E. Stern Collection, 1030.1964.13. (Photo: MoMA)

MoMA

And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voutes) (plate V) from La Tentation de Saint-Antoine

1896, published 1938

Odilon Redon

French, 1840–1916

Drawings & Prints

Original Source

Maker/Artist: Redon, Odilon
Classification: Illustrated Book
Formatted Medium: Lithograph from an illustrated book with 22 lithographs on chine appliqué and 21 wood engravings (including wrapper and table of plates)
Medium: lithograph, from, illustrated, book, lithographs, chine, appliqué, wood, engravings, including, wrapper, table, plates
Dimensions: composition: 9 9/16 × 7 1/2" (24.3 × 19.1 cm); page: 17 1/16 × 13" (43.4 × 33 cm)
Departments: Drawings & Prints
Accession Number: 1030.1964.13
Credit Line: The Louis E. Stern Collection
Dominant Colors

Have a concern, a correction, or something to add?

Similar Artworks

MoMA

Photo of collection object Ténèbres

Ténèbres

Odilon Redon

1892

MoMA

Photo of collection object The Wall of His Room Was Opening Up and through the Crack a Death's-Head Was Projected (La Muraille de sa chambre s'entr'ouvrait et de la fente était projetée une tête de mort) (frontispiece) from Le Juré

The Wall of His Room Was Opening Up and through the Crack a Death's-Head Was Projected (La Muraille de sa chambre s'entr'ouvrait et de la fente était projetée une tête de mort) (frontispiece) from Le Juré

Odilon Redon

1887

MoMA

Photo of collection object Le Juré

Le Juré

Odilon Redon

1887

MoMA

Photo of collection object She Shows Herself to Him, Dramatic and Grandiose, with Her Hair Like That of a Druidess (Elle se montre à lui, dramatique et grandiose avec sa chevelure de prêtresse druidique) (plate) from Le Juré

She Shows Herself to Him, Dramatic and Grandiose, with Her Hair Like That of a Druidess (Elle se montre à lui, dramatique et grandiose avec sa chevelure de prêtresse druidique) (plate) from Le Juré

Odilon Redon

1887

MoMA

Photo of collection object A Man of the People, a Savage, Passed beneath the Head of the Horses (Un Homme du peuple, un sauvage, a passé sous la tête des chevaux) (plate) from Le Juré

A Man of the People, a Savage, Passed beneath the Head of the Horses (Un Homme du peuple, un sauvage, a passé sous la tête des chevaux) (plate) from Le Juré

Odilon Redon

1887

MoMA

Photo of collection object The Deep Bell of Sainte-Gudule Was Sounding the Hour in the Nearby Belfry (La Cloche grave de Sainte-Gudule battait l'heure dans la tour voisine) (plate) from Le Juré

The Deep Bell of Sainte-Gudule Was Sounding the Hour in the Nearby Belfry (La Cloche grave de Sainte-Gudule battait l'heure dans la tour voisine) (plate) from Le Juré

Odilon Redon

1887

MoMA

Photo of collection object At the Entrance to the Promenades, Where the Trees Intertwine in a Bony Maze of Branches, Smooth and Gaunt, the Specter Is Outlined (A l'entrée des allées, où les arbres entrelacent le dédale ostéologique des branches, glabre et décharné, se dessine le spectre) (plate) from Le Juré

At the Entrance to the Promenades, Where the Trees Intertwine in a Bony Maze of Branches, Smooth and Gaunt, the Specter Is Outlined (A l'entrée des allées, où les arbres entrelacent le dédale ostéologique des branches, glabre et décharné, se dessine le spectre) (plate) from Le Juré

Odilon Redon

1887

MoMA

Photo of collection object Why Should There Not Exist a World Composed of Invisible, Odd, Fantastic, Embryonic Beings? (Pourquoi n'existerait-il pas un monde composé d'êtres invisibles, bizarres, fantastiques, embryonnaires?) (plate) from Le Juré

Why Should There Not Exist a World Composed of Invisible, Odd, Fantastic, Embryonic Beings? (Pourquoi n'existerait-il pas un monde composé d'êtres invisibles, bizarres, fantastiques, embryonnaires?) (plate) from Le Juré

Odilon Redon

1887

MoMA

Photo of collection object Title page from La Tentation de Saint-Antoine

Title page from La Tentation de Saint-Antoine

Odilon Redon

c. 1910, published 1938

MoMA

Photo of collection object Headpiece (page 49) from La Tentation de Saint-Antoine

Headpiece (page 49) from La Tentation de Saint-Antoine

Odilon Redon

c. 1910, published 1938

MoMA

Photo of collection object Tailpiece (page 57) from La Tentation de Saint-Antoine

Tailpiece (page 57) from La Tentation de Saint-Antoine

Odilon Redon

c. 1910, published 1938

MoMA

Photo of collection object Headpiece (page 61) from La Tentation de Saint-Antoine

Headpiece (page 61) from La Tentation de Saint-Antoine

Odilon Redon

c. 1910, published 1938

Open source Elasticsearch & Next.js museum search.

Let's Stay Connected