Open source Elasticsearch & Next.js museum search.
Peeking became his craft for rendering place from Uruguayan Torture Series | musefully
Image Unavailable
Luis Camnitzer. Peeking became his craft for rendering place from Uruguayan Torture Series, 1983–84, printed 2012. Photoetching from a series of thirty-five photoetchings, three with chine collé, composition (irreg.): 12 1/2 × 11 5/16" (31.8 × 28.7 cm); sheet: 29 1/2 × 21 11/16" (75 × 55.1 cm). Latin American and Caribbean Fund and the Abby Aldrich Rockefeller Endowment for Prints, 1122.2018.i. (Photo: MoMA)