Photo of collection object Maquette for the poster The Reality of Our Program Is Real People—That Is You and Me (Real’nost’ nashei programmy eto—zhivye liudi, eto my s vami)
Klucis, Gustavs. Maquette for the poster The Reality of Our Program Is Real People—That Is You and Me (Real’nost’ nashei programmy eto—zhivye liudi, eto my s vami), c. 1931. Cut-and-pasted gelatin silver prints, gouache, and pencil on paper , 10 1/16 × 14" (25.5 × 35.5 cm). The Merrill C. Berman Collection. Acquired through the generosity of Alice and Tom Tisch, Jo Carole and Ronald S. Lauder, Sue and Edgar Wachenheim III, David Booth, Marlene Hess and James D. Zirin, Marie-Josée and Henry R. Kravis, Jack Shear, the Patricia Bonfield Endowed Acquisition Fund for the Design Collection, Daniel and Jane Och, The Orentreich Family Foundation, Emily Rauh Pulitzer, The Modern Women's Fund; and by exchange: Gift of Jean Dubuffet in honor of Mr. and Mrs. Ralph Colin, The Judith Rothschild Foundation Contemporary Drawings Collection, and the Richard S. Zeisler Bequest, 447.2018. (Photo: MoMA)

Maquette for the poster The Reality of Our Program Is Real People—That Is You and Me (Real’nost’ nashei programmy eto—zhivye liudi, eto my s vami)

c. 1931

Gustav Klutsis

Latvian, 1895–1938

Drawings & Prints

Maker/Artist
Klucis, Gustavs
Classification
Drawing
Formatted Medium
Cut-and-pasted gelatin silver prints, gouache, and pencil on paper
Dimensions
10 1/16 × 14" (25.5 × 35.5 cm)
Accession Number
447.2018
Credit Line
The Merrill C. Berman Collection. Acquired through the generosity of Alice and Tom Tisch, Jo Carole and Ronald S. Lauder, Sue and Edgar Wachenheim III, David Booth, Marlene Hess and James D. Zirin, Marie-Josée and Henry R. Kravis, Jack Shear, the Patricia Bonfield Endowed Acquisition Fund for the Design Collection, Daniel and Jane Och, The Orentreich Family Foundation, Emily Rauh Pulitzer, The Modern Women's Fund; and by exchange: Gift of Jean Dubuffet in honor of Mr. and Mrs. Ralph Colin, The Judith Rothschild Foundation Contemporary Drawings Collection, and the Richard S. Zeisler Bequest

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