Photo of collection object Revisiting the space between from Alan Cristea Gallery Twentieth Anniversary Portfolio — Ben Johnson. Revisiting the space between from Alan Cristea Gallery Twentieth Anniversary Portfolio, 2015. Digital print from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut), composition: 18 1/16 × 18 1/8" (45.8 × 46 cm); sheet: 19 9/16 × 19 11/16" (49.7 × 50 cm). Gift of Alan Cristea Gallery, London, in honor of Alan Cristea, 705.2015.11. (Photo: MoMA)

MoMA

Revisiting the space between from Alan Cristea Gallery Twentieth Anniversary Portfolio

2015

Ben Johnson

British, born 1946

Drawings & Prints

Original Source

Maker/Artist: Ben Johnson
Classification: Print
Formatted Medium: Digital print from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut)
Medium: digital, print, from, portfolio, aquatints, carborundum, relief, chromogenic, prints, etchings, chine, collé, embossing, linoleum, cut, lithograph, screenprints, woodcuts, polymer, gravures, woodcut
Dimensions: composition: 18 1/16 × 18 1/8" (45.8 × 46 cm); sheet: 19 9/16 × 19 11/16" (49.7 × 50 cm)
Departments: Drawings & Prints
Accession Number: 705.2015.11
Credit Line: Gift of Alan Cristea Gallery, London, in honor of Alan Cristea

Have a concern, a correction, or something to add?

Similar Artworks

MoMA

Photo of collection object And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object . . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

. . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Intelligence Was Mine! I Became the Buddha (L'Intelligence fût à moi! Je devins le Buddha) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Intelligence Was Mine! I Became the Buddha (L'Intelligence fût à moi! Je devins le Buddha) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Oannès: I, the First Consciousness of Chaos, Arose from the Abyss to Harden Matter, to Regulate Form (Oannès: Moi, la première conscience du chaos, j'ai surgi de l'abîme pour durcir la matière, pour régle) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Oannès: I, the First Consciousness of Chaos, Arose from the Abyss to Harden Matter, to Regulate Form (Oannès: Moi, la première conscience du chaos, j'ai surgi de l'abîme pour durcir la matière, pour régle) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Here Is the Good Goddess, the Idaean Mother of the Mountains (Voici la bonne-déesse, l'idéenne des montagnes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Here Is the Good Goddess, the Idaean Mother of the Mountains (Voici la bonne-déesse, l'idéenne des montagnes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object I Am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil! My Fruit Is the Sun! (Je suis toujours la grande Isis! Nul n'a encore soulevé mon voile! Mon fruit est le soleil!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

I Am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil! My Fruit Is the Sun! (Je suis toujours la grande Isis! Nul n'a encore soulevé mon voile! Mon fruit est le soleil!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object He Falls Head Foremost into the Abyss (Il tombe dans l'abîme, la tête en bas) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

He Falls Head Foremost into the Abyss (Il tombe dans l'abîme, la tête en bas) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

Open source Elasticsearch & Next.js museum search.

Let's Stay Connected