Photo of collection object Untitled from A variation on 79, side to side passes on a dumball, dedicated to the memory of John Cage 1912-1992 — Ireland, David. Untitled from A variation on 79, side to side passes on a dumball, dedicated to the memory of John Cage 1912-1992, 1993. One from a portfolio of five etching and drypoints, composition and sheet: 14 13/16 x 35 3/16" (37.6 x 89.4 cm). Gift of Thomas Cvikota in honor of the artist and John Cage, 28.2009.1. (Photo: MoMA)

MoMA

Untitled from A variation on 79, side to side passes on a dumball, dedicated to the memory of John Cage 1912-1992

1993

David Ireland

American, born 1930

Drawings & Prints

Original Source

Maker/Artist: Ireland, David
Classification: Print
Formatted Medium: One from a portfolio of five etching and drypoints
Medium: from, portfolio, etching, drypoints
Dimensions: composition and sheet: 14 13/16 x 35 3/16" (37.6 x 89.4 cm)
Departments: Drawings & Prints
Accession Number: 28.2009.1
Credit Line: Gift of Thomas Cvikota in honor of the artist and John Cage

Have a concern, a correction, or something to add?

Similar Artworks

MoMA

Photo of collection object Untitled from A variation on 79, side to side passes on a dumball, dedicated to the memory of John Cage 1912-1992

Untitled from A variation on 79, side to side passes on a dumball, dedicated to the memory of John Cage 1912-1992

David Ireland

1993

MoMA

Photo of collection object Untitled from A variation on 79, side to side passes on a dumball, dedicated to the memory of John Cage 1912-1992

Untitled from A variation on 79, side to side passes on a dumball, dedicated to the memory of John Cage 1912-1992

David Ireland

1993

MoMA

Photo of collection object Untitled from A variation on 79, side to side passes on a dumball, dedicated to the memory of John Cage 1912-1992

Untitled from A variation on 79, side to side passes on a dumball, dedicated to the memory of John Cage 1912-1992

David Ireland

1993

MoMA

Photo of collection object Untitled from A variation on 79, side to side passes on a dumball, dedicated to the memory of John Cage 1912-1992

Untitled from A variation on 79, side to side passes on a dumball, dedicated to the memory of John Cage 1912-1992

David Ireland

1993

MoMA

Photo of collection object A variation on 79, side to side passes on a dumball, dedicated to the memory of John Cage 1912-1992

A variation on 79, side to side passes on a dumball, dedicated to the memory of John Cage 1912-1992

David Ireland

1993

MoMA

Photo of collection object And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

And on Every Side Are Columns of Basalt, . . . the Light Falls from the Vaulted Roof (Et partout ce sont des colonnes de basalte, . . . la lumière tombe des voûtes) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

My Kisses Have the Taste of a Fruit That Would Melt in Your Heart! . . . You Disdain Me! Farewell! (Mes baisers ont le gout d'un fruit qui se fondrait dans ton coeur! . . . Tu me dédaignes! Adieu!) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Flowers Fall, and the Head of a Python Appears (Des fleurs tombent, et la tête d'un python paraît) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

In the Shadows Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them . . . (Dans l'ombre des gens pleurent et prient entourés d'autres qui les exhortent . . .) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object . . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

. . . And He Discerns an Arid, Knoll-Covered Plain (. . . Et il distingue une plaine aride et mamelonneuse) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

She Draws from Her Bosom a Sponge, Perfectly Black, and Covers It with Kisses (Elle tire de sa poitrine une éponge toute noire, la couvre de baisers) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

MoMA

Photo of collection object Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Immediately Three Goddesses Arise (Immédiatement surgissent trois Déesses) from The Temptation of Saint Anthony (La Tentation de Saint-Antoine)

Odilon Redon

1896

Open source Elasticsearch & Next.js museum search.

Let's Stay Connected