Untitled IV
1964-78
Joseph Beuys
German, 1921–1986
Painting & Sculpture
- Maker/Artist
- Beuys, Joseph
- Classification
- Installation
- Formatted Medium
- Glass, wood, and metal display case containing (left to right): Machine Aggregate (Maschinenaggregat), 1964: poppies, pine needles, machine parts, beeswax plate, shards of mirror, and fat in white tin can; Substances (Substanzen), 1977: eleven samples from Unschlitt/Tallow, 1977, and plastic box with fat; Plastic/Medicinal (Zinc Salve) Containing Blood Sausage (Plastik/Medizinisch [Zinksalbe] behandelte Blutwurst), 1964: blood sausage and zinc salve; Aus dem Maschineneraum (From the Machine Room), 1977-78: multiple of printed paper and can, and glass jar containing fat; Gelatin Wedge/Programmed (Gelatinekeil/Programmiert), 1969: gelatin, chocolate, and paper; Untitled (Beuys Brew) (Ohne Titel [Beuysbräu]), 1970: bottle carrier, eighteen "Dötze bottles," gelatin, glass, and oil paint; Untitled (Ohne Titel), 1973: grass plant (grass flower) and fat; Untitled (Proof for special edition of the magazine Interfunktionen, 61) (Ohne Titel [Klischee für Vorzugsausgabe der Zeitschrift Interfunktionen, Heft 61]), 1961: metal plate and oil paint
- Medium
- glass, wood, metal, display, case, containing, left, right, machine, aggregate, maschinenaggregat, poppies, pine, needles, parts, beeswax, plate, shards, mirror, fat, white, tin, can, substances, substanzen, samples, from, unschlitt, tallow, plastic, box, medicinal, zinc, salve, blood, sausage, plastik, medizinisch, zinksalbe, behandelte, blutwurst, aus, dem, maschineneraum, room, multiple, printed, paper, jar, gelatin, wedge, programmed, gelatinekeil, programmiert, chocolate, untitled, beuys, brew, ohne, titel, beuysbräu, bottle, carrier, dötze, bottles, oil, paint, grass, plant, flower, proof, special, edition, magazine, interfunktionen, klischee, für, vorzugsausgabe, der, zeitschrift, heft
- Dimensions
- 71 x 91 1/2 x 26 1/2" (180.3 x 232.4 x 67.3 cm)
- Departments
- Painting & Sculpture
- Accession Number
- 1150.2007.d
- Credit Line
- Gift of Maja Oeri and Hans Bodenmann
Have a concern, a correction, or something to add?