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Lee-Smith, Hughie. Landscape No. 1, c. 1939. linocut, Platemark: 24 x 27.3 cm (9 7/16 x 10 3/4 in.); Sheet: 30.4 x 40.3 cm (11 15/16 x 15 7/8 in.). Severance and Greta Millikin Trust, 2022.54. Copyrighted.

Landscape No. 1

c. 1939

Hughie Lee-Smith

Hughie Lee-Smith (American, 1915–1999)

Prints

Landscape No. 1, c. 1939. Hughie Lee-Smith (American, 1915–1999). Linocut; platemark: 24 x 27.3 cm (9 7/16 x 10 3/4 in.); sheet: 30.4 x 40.3 cm (11 15/16 x 15 7/8 in.). The Cleveland Museum of Art, Severance and Greta Millikin Trust 2022.54 This linocut was created by Hughie Lee-Smith while he was involved in the printmaking workshop at Karamu House, a community art center founded in 1915 that is still active in Cleveland today. Created by carving into a smooth linoleum block, linocut is an accessible technique that was favored at Karamu for its accessibility and democracy. Lee-Smith used it to evocatively depict the lives of Black Clevelanders—here, as he described, “the Central Avenue area rapidly deteriorating; its houses falling down, and too many of its people going to pieces as well. It depressed me beyond words. I could only express my feeling about it all by drawing.” This print was included in a 1942 exhibition of Karamu House artists organized at New York’s Associated American Artists Galleries and sponsored by a committee including cultural figures such as Langston Hughes, Alain Locke, and Carl Van Vechten. The show traveled to Philadelphia’s Temple University and brought national attention to the Karamu House printmaking workshop.
Maker/Artist
Lee-Smith, Hughie
Classification
Print
Formatted Medium
linocut
Medium
linocut
Dimensions
Platemark: 24 x 27.3 cm (9 7/16 x 10 3/4 in.); Sheet: 30.4 x 40.3 cm (11 15/16 x 15 7/8 in.)
Inscribed
Inscription: Inscribed, lower left, in pencil: “Landscape No. 1.” Inscription: signed and inscribed, lower right, in pencil: Hughie Lee Smith 8/50 Inscription: Typed on sheet attached to original mount: LANDSCAPE #1 / I had watched the Central Avenue area rapidly deteriorating; its houses fall- / ing down, and too many of its people going to pieces as well. It depressed me / beyond words. I could only express my feeling about it all by drawing, not that / the drawing was altogether realistic. The way I felt about it got blended with / the way it actually looked. / Hughie Lee-Smith
Departments
Prints
Accession Number
2022.54
Credit Line
Severance and Greta Millikin Trust
Rights Statement
Copyrighted

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