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Ibrahim Njoya. Three Illustrious Fons and a Queen before the Old Foumban Palace, 1961. Paper, ink, watercolor, carbon; wooden frame carved by the artist, Paper: 78.7 x 96.5 cm (31 x 38 in.). Severance and Greta Millikin Trust, 2022.47. Copyrighted.
Three Illustrious Fons and a Queen before the Old Foumban Palace
1961
Ibrahim Njoya
Ibrahim Njoya (Bamum Kingdom (Cameroonian), c. 1887–1962)
African Art
Three Illustrious Fons and a Queen before the Old Foumban Palace, 1961. Ibrahim Njoya (Bamum Kingdom (Cameroonian), c. 1887–1962). Paper, ink, watercolor, carbon; wooden frame carved by the artist; paper: 78.7 x 96.5 cm (31 x 38 in.). The Cleveland Museum of Art, Severance and Greta Millikin Trust 2022.47 This drawing depicts Sultan Njoya and his ancestors in front of the old Bamum Kingdom palace: King Mbombo “the Giant” (r. 1757–1814); Queen Ngoungore (r. 1863); King Nsa’ngu (r. 1863–1889); and Sultan Njoya (r. 1889–1913). Each past ruler wears or holds elaborate regalia, such as staffs, necklaces, headpieces, and fly whisks. Sultan Njoya (at right) wears a turban and a large embroidered tunic, reflecting his conversion to Islam. The artist Ibrahim Njoya based the portrait of Sultan Ibrahim Njoya (at right) on a photograph.
Inscription: inscriptions below each likeness (French text: 11 Roi Mbombo / 15 Ngoungoure Chetfon/Precesse de Roi Mbombo Mere du Roi Nsangou / 16 Roi Nsangu / 17 Sultan Njoya Ibrahima; Bamum script, to be translated); signed and dated lower right in pen and black ink in French (Bamum script above): Dessinateur/Njoya IbrahimA/20-5-61. Remark: Inscriptions below each likeness (French text: 11 Roi Mbombo / 15 Ngoungoure Chetfon/Precesse de Roi Mbombo Mere du Roi Nsangou / 16 Roi Nsangu / 17 Sultan Njoya Ibrahima; Bamum script, to be translated); signed and dated lower right in pen and black ink in French (Bamum script above): Dessinateur/Njoya IbrahimA/20-5-61.