Table of Contents

1966–67

Haiga Portfolio: Table of Contents, 1966–67. Stanton Macdonald-Wright (American, 1890–1973), printed by Clifton Karhu (American, 1927–2007). Woodcut; sheet: 45.4 x 50.4 cm (17 7/8 x 19 13/16 in.); sheet: 54.7 x 45.5 cm (21 9/16 x 17 15/16 in.). The Cleveland Museum of Art, Gift of the Estate of Stanton and Jean Macdonald-Wright 2021.152.2 Modernist painter Stanton Macdonald-Wright developed the Haiga Portfolio out of his admiration for haiga, the traditional art of haiku illustration. Produced in Japan using the traditional Japanese printmaking technique (ukiyo-e), the artist challenged the typically minimalist, black-and-white approach to haiku illustration. While many of the works in the portfolio employ the lively colors and patterns of Synchromism—an art movement MacDonald-Wright founded in 1910 seeking to apply color theory to music and rhythm—others are more contemplative, while still retaining a connection to abstract modernist optics. The artist wrote of the works in this portfolio: “I have attempted to pictorialize these haiku psychologically and thus complete the verses by making the illustrations as modern as the verses will always remain.”