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Kabir and Two Followers on a Terrace (recto); Calligraphy (verso) | musefully
Kabir and Two Followers on a Terrace (recto); Calligraphy (verso), c. 1610–1620. ink drawing with use of colors on paper, borders of gold-flecked cream paper (recto); ink, gold and opaque watercolor on paper, four lines of calligraphy with illuminated panels (verso), Page: 28 x 21 cm (11 x 8 1/4 in.). Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection, 2013.326. CC0.
Kabir and Two Followers on a Terrace (recto); Calligraphy (verso)
c. 1610–1620
Maker Unknown
Indian and Southeast Asian Art
Kabir and Two Followers on a Terrace (recto); Calligraphy (verso), c. 1610–1620. India, Mughal, 17th century. Ink drawing with use of colors on paper, borders of gold-flecked cream paper (recto); ink, gold and opaque watercolor on paper, four lines of calligraphy with illuminated panels (verso); page: 28 x 21 cm (11 x 8 1/4 in.). The Cleveland Museum of Art, Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection 2013.326
ink drawing with use of colors on paper, borders of gold-flecked cream paper (recto); ink, gold and opaque watercolor on paper, four lines of calligraphy with illuminated panels (verso)
Inscription: Verso: Persian ruba‘i (quatrain) by Maulana Muḥammad Murshidi Zawara’i (Persian, late 1500s–early 1600s);
Calligraphy in nasta‘liq script:
A Christian with his zonnar string and your amber locks,
A pious ascetic in a prayer niche and the angle of your eyebrows,
O Lord! What kind of a qibla are you
That night and day the hearts of both Muslims and Infidels are turned toward you?
Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection