Male Figure (nkishi)
late 1800s-early 1900s
Maker Unknown
African Art
Male Figure (nkishi), late 1800s-early 1900s. Africa, Central Africa, Democratic Republic of Congo, Songye-style carver and nganga (priest). Wood, glass beads, brass (including upholstery studs), copper alloy, iron alloy, raffia, reedbuck antelope horn, rawhide, animal hair, human teeth, organic material, minerals, and plant fibers; overall: 64 x 24.5 x 24 cm (25 3/16 x 9 5/8 x 9 7/16 in.). The Cleveland Museum of Art, René and Odette Delenne Collection, Leonard C. Hanna, Jr. Fund 2010.451 This Male Figure is an accumulation of wood, copper sheet, rows of flat iron pins, antelope horn, braided fiber ropes, black and white beads, and raffia. It is attributed to the Songye peoples of southeastern Democratic Republic of Congo and was created in the decades around the turn of the 20th century. Referred to as a power figure, this object would have been central to communal life, acting as an intercessor between spiritual and temporal worlds. It was first sold in an auction by Galerie Modernes in Brussels to the private collectors René and Odette Delenne in 1958. In 2010 the Cleveland Museum of Art acquired the sculpture. Researchers conducted x-ray scanning on this figure, revealing its internal structure and human teeth, an antelope horn, and animal hair.
- Maker/Artist
- Maker Unknown
- Classification
- Sculpture
- Formatted Medium
- Wood, glass beads, brass (including upholstery studs), copper alloy, iron alloy, raffia, reedbuck antelope horn, rawhide, animal hair, human teeth, organic material, minerals, and plant fibers
- Medium
- wood, glass, beads, brass, including, upholstery, studs, copper, alloy, iron, raffia, reedbuck, antelope, horn, rawhide, animal, hair, human, teeth, organic, material, minerals, plant, fibers
- Dimensions
- Overall: 64 x 24.5 x 24 cm (25 3/16 x 9 5/8 x 9 7/16 in.)
- Departments
- African Art
- Accession Number
- 2010.451
- Credit Line
- René and Odette Delenne Collection, Leonard C. Hanna, Jr. Fund
- Exhibitions
- Fragments of the Invisible: The Rene and Odette Delenne Collection of Congo Sculpture, Second Careers: Two Tributaries in African Art
- Rights Statement
- CC0
- Museum Location
- 108A Sub-Saharan
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