Crucifix
late 1800s-early 1900s
Maker Unknown
African Art
Crucifix, late 1800s-early 1900s. Africa, Central Africa, Kongo Kingdom, Kongo-style maker(s). Copper alloy, wood, upholstery studs, and iron alloy; overall: 44.7 x 22.2 x 3.2 cm (17 5/8 x 8 3/4 x 1 1/4 in.). The Cleveland Museum of Art, René and Odette Delenne Collection, Leonard C. Hanna, Jr. Fund 2010.444 An artist made this crucifix from wood and metal centuries after Catholicism became the Kongo Kingdom’s official faith. Following King Nzinga a Nkuwu's 1491 decision to convert, Kongo Christianity uniquely reflected its surroundings. While early Christ images arrived from Portugal and Italy, this later local example has braids like a Kongo man. Worn smooth by repeated touch, the lower figure is the Virgin Mary or a worshiper knelt in mourning or respect. The x-shape incised into his waist wrapper references the dikenga dia Kongo. This likely pre-Christian symbol diagrams the life cycle's four points. This x-shapes of the cross and on Christ's wrapper are forms with symbolic meaning tied to the life cycle in both Catholicism and in the indigenous Kongo religion.
- Maker/Artist
- Maker Unknown
- Classification
- Sculpture
- Formatted Medium
- Copper alloy, wood, upholstery studs, and iron alloy
- Dimensions
- Overall: 44.7 x 22.2 x 3.2 cm (17 5/8 x 8 3/4 x 1 1/4 in.)
- Departments
- African Art
- Accession Number
- 2010.444
- Credit Line
- René and Odette Delenne Collection, Leonard C. Hanna, Jr. Fund
- Exhibitions
- Fragments of the Invisible: The Rene and Odette Delenne Collection of Congo Sculpture, Royal Museums of Art and History, Brussels, Belgium (1945-1949), Leuven, Belgium., Royal Museum for Central Africa, Tervuren, Belgium., Kunsthaus Zürich, Zürich, Switzerland (October 31, 1970-February 10, 1971), Villa Hügel, Essen, Germany (March 25-June 13, 1971), Société des Expositions du Palais des Beaux-Arts, Brussels, Belgium (March 25-June 5, 1988)
- Rights Statement
- CC0
- Museum Location
- 108A Sub-Saharan
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