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Jean Hatchet and Charles the Bold
1929
Max Ernst
Max Ernst (German, 1891–1976)
Drawings
Jean Hatchet and Charles the Bold, 1929. Max Ernst (German, 1891–1976). Collage; sheet: 24.3 x 20.2 cm (9 9/16 x 7 15/16 in.); secondary support: 30.5 x 23.9 cm (12 x 9 7/16 in.). The Cleveland Museum of Art, John L. Severance Fund 1982.39 © 1929 Artists Rights Society (ARS), New York/ ADAGP, Paris
- Maker/Artist
- Ernst, Max
- Classification
- Drawing
- Formatted Medium
- collage
- Medium
- collage
- Dimensions
- Sheet: 24.3 x 20.2 cm (9 9/16 x 7 15/16 in.); Secondary Support: 30.5 x 23.9 cm (12 x 9 7/16 in.)
- Inscribed
- Inscription: signed, lower right, in blue ball-point pen: max ernst ; SECONDARY SUPPORT, lower left, in graphite: Jeanne Hachette / et / Charles le Téméraire ; VERSO OF SECONDARY SUPPORT, upper left, in blus pencil: [illegible] ; center, in graphite: 15 cm [over an arrow across the center of the sheet] ; lower right, in graphite: 1500.
- Departments
- Drawings
- Accession Number
- 1982.39
- Credit Line
- John L. Severance Fund
- Exhibitions
- The Year in Review for 1982, Creativity in Art and Science, 1860-1960, Cross Section: Graphic Art in Germany after the First World War, Directions in Drawing: 1750-1988, Monet to Dalí: Modern Masters from the Cleveland Museum of Art, CMA, Cross Section: Graphic Art in Germany after the First World War (Oct. 10, 1989-Jan. 7, 1990).<br>CMA, Creativity in Art and Science, 1860-1960 (Sep. 16-Nov. 8, 1987), no. 36, p. 127, illus.<br>CMA, The Year in Review for 1982 (Jan. 5-Feb. 6, 1982), cma Bulletin 70 (1983), p. 51 no. 24.<br>New York, Museum of Modern Art (and six other locations?), Max Ernst: Works on Paper (1968), no. 21.<br>Milan, Civico Padiglione d'Arte Contemporania, Dada in Italia (1966), no. 30, illus. p. 77.<br>Ghent, Galerie Krugier and Cie., Dada (1966), no. 33, fig. 17.<br>Milan, Galleria Schwarz, Max Ernst: Rêve d'une petite fille qui voulut entrer au Carmel (1964), no. 23.
- Rights Statement
- Copyrighted undefined
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