Photo of collection object Monk Riding Backwards on a Water Buffalo
Yamaguchi Sekkei. Monk Riding Backwards on a Water Buffalo, 1687. hanging scroll; ink on paper, Painting: 116.5 x 39 cm (45 7/8 x 15 3/8 in.); Mounted: 201.3 x 55.9 cm (79 1/4 x 22 in.). Gift of Nisaburo Mizutani, 1973.86. CC0.

Monk Riding Backwards on a Water Buffalo

1687

Yamaguchi Sekkei

Yamaguchi Sekkei (Japanese, 1644–1732)

Japanese Art

Monk Riding Backwards on a Water Buffalo, 1687. Yamaguchi Sekkei (Japanese, 1644–1732), Nanyuan Xingpai (Chinese, 1631–1692). Hanging scroll; ink on paper; painting: 116.5 x 39 cm (45 7/8 x 15 3/8 in.); mounted: 201.3 x 55.9 cm (79 1/4 x 22 in.). The Cleveland Museum of Art, Gift of Nisaburo Mizutani 1973.86 The inscription at the top of this painting was brushed by Ōbaku school monk Nanyuan Xingpai (Japanese: Nangen Shōha), a Chinese Buddhist monk who emigrated to Japan in 1654, while the painting was done in ink by Yamaguchi Sekkei, a Japanese painter active in Kyoto who was known for his Buddhist subjects, many of which remain in temples today. The figure here reads a text while riding backward upon a water buffalo. Sekkei's painting may be meant to depict the Chinese monk Weizheng (986–1049), also known as "Zheng of the Yellow Ox" after his favored mount. Nanyuan's inscription makes reference to another classical story in which a man by the name of Li Yuan comes across the reincarnation of his friend Yuanze as a young herder riding upon a water buffalo. Both stories feature the themes of friendship and spiritual insight. The Ōbaku lineage of the Zen school of Buddhism in Japan is named for Mount Huangbo (Japanese: Ōbaku) in China.
Maker/Artist
Yamaguchi Sekkei
Classification
Painting
Formatted Medium
hanging scroll; ink on paper
Dimensions
Painting: 116.5 x 39 cm (45 7/8 x 15 3/8 in.); Mounted: 201.3 x 55.9 cm (79 1/4 x 22 in.)
Inscribed
Inscription: 関房印 賛 拝丁卯恵△日 福寺南源XX 印(上)性派之印 印(下)南源 款記 梅庵雪渓筆 落款印(上)梅庵(下)雪渓 Translation: Prefatory seal and four line inscription followed by date (respectfully on a benevolent day in 1687) and calligrapher's signature (Fukuji Nangen XX) and seals (upper: seal of Shōha, lower: Nangen) stretch across top of painting. Painter's signature (brushed by Baian Sekkei) and seals (upper: Baian, lower: Sekkei) appear at bottom left of painting.
Departments
Japanese Art
Accession Number
1973.86
Credit Line
Gift of Nisaburo Mizutani
Rights Statement
CC0

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