Tiger in Wind

1800s

Tiger in Wind, 1800s. After Maruyama Ōkyo (Japanese, 1733–1795). Hanging scroll; ink on paper; painting: 134.6 x 58 cm (53 x 22 13/16 in.); mounted: 194 x 73 cm (76 3/8 x 28 3/4 in.). The Cleveland Museum of Art, Sundry Purchase Fund 1971.232 The seals appended to the inscription on this painting suggest that the text was brushed by Yūjō (1723–1773), an imperial prince who became a Buddhist monk and was abbot of Enman'in at Miidera. The line is from a poem attributed to a Yuan dynasty poet, Yu Ruyu (dates unknown), and describes the sound of a fierce wind lashing the ground. Wind is associated with the roar of the tiger. Yūjō was Maruyama Ōkyo's most important patron as a young artist, and this painting has a signature asserting that Ōkyo created it in 1772, the year before Yūjō's death. While Yūjō produced a preface for a now famous set of handscrolls he commissioned Ōkyo to paint, and a number of Ōkyo's compositions for Enman'in survive, this work would appear to be one imagining their relationship, as opposed to a genuine piece.