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Baumgartner, Johann Wolfgang. Saint Deicolus and the Boar, 1747–48. pen and brown and gray ink and brush and gray wash heightened with white gouache; incised, verso coated with red chalk, Sheet: 52.2 x 73.5 cm (20 9/16 x 28 15/16 in.). Dudley P. Allen Fund, 1967.22. CC0.
Saint Deicolus and the Boar
1747–48
Johann Wolfgang Baumgartner
Johann Wolfgang Baumgartner (German, 1712–1761)
Drawings
Saint Deicolus and the Boar, 1747–48. Johann Wolfgang Baumgartner (German, 1712–1761). Pen and brown and gray ink and brush and gray wash heightened with white gouache; incised, verso coated with red chalk; sheet: 52.2 x 73.5 cm (20 9/16 x 28 15/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund 1967.22 German artist Johann Wolfgang Baumgartner's innovations in rococo design are magnificently demonstrated in this sheet showing the story of Saint Deicolus and the Boar. The format of the work imitates that of a decorative cartouche, an ornamental framework surrounding an open field usually reserved for an inscription or emblem. Baumgartner ingeniously adapted the cartouche form for this scene: the framing elements seem to grow out of the landscape but are clearly artificial, and have the appearance of exuberant metalwork intertwined with vegetation and rocks. Deicolus was an Irish saint who founded an abbey in the Burgundy region of France. Baumgartner shows an incident in which Deicolus saved a boar from the hunting party of the ruler Clotaire II. The highly finished drawing on blue paper was made as a design for print from a suite combining saints with depictions of the hunt. The rarely depicted St. Deicolus was an Irish monk who lived in the 600s and was known for his retreat to a hermitage in a forest.