Photo of collection object Spring Landscape
Kuncan. Spring Landscape, 1666. double album leaf mounted as a handscroll, ink and color on paper, Overall: 31.8 x 64.5 cm (12 1/2 x 25 3/8 in.). Purchase from the J. H. Wade Fund, 1966.367. CC0.

Spring Landscape

1666

Kuncan

Kuncan (Chinese, 1612-c. 1673)

Chinese Art

Spring Landscape, 1666. Kuncan (Chinese, 1612-c. 1673). Double album leaf mounted as a handscroll, ink and color on paper; overall: 31.8 x 64.5 cm (12 1/2 x 25 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1966.367 This spring scene was once accompanied by album leaves of summer (now in the Museum für Asiatiche Kunst, Berlin) and autumn and winter (now in the British Museum).
Maker/Artist
Kuncan
Classification
Painting
Formatted Medium
double album leaf mounted as a handscroll, ink and color on paper
Dimensions
Overall: 31.8 x 64.5 cm (12 1/2 x 25 3/8 in.)
Inscribed
Inscription: 遊山忘歲月,屐舄自相過。 風露寒虚意,禪機靜裡磨。 同年叩梵宇,遂此老煙蘿。 豈向人間說,林丘自在多。 畫必師古,書亦如之。觀人亦然,况六法乎。石谿殘道人 印二:石谿,白秃。另有「介丘」一印在右邊。 Translation: Artist's inscription, signature, and 3 seals: We wandered through the mountains and forgot the time./ Our paths crossed naturally./ The wind and dewdrops are cold and empty./ And the Chan intuition gains its edge in silence./ Our friends knock on the gates of my Buddhist retreat./ To visit the old mist-shrouded vines./ How can we convey to those worldly beings,/ That life is so much more at ease in woods and hills? In painting, one must follow the way of the ancients. Calligraphy too is like that. It is true even in character assessment, not to mention the Six Canons [of painting]. [2 seals] Shi xi; Bai tu. [seal, lower right edge] Jie qiu.
Departments
Chinese Art
Accession Number
1966.367
Credit Line
Purchase from the J. H. Wade Fund
Rights Statement
CC0

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