Figure (verso)
1940
Joan Miró
Joan Miró (Spanish, 1893–1983)
Drawings
Figure (verso), 1940. Joan Miró (Spanish, 1893–1983). Pen and brown ink; sheet: 45.8 x 37.9 cm (18 1/16 x 14 15/16 in.). The Cleveland Museum of Art, Contemporary Collection of The Cleveland Museum of Art 1965.2.b © Successió Miró / Artists Rights Society (ARS), New York / ADAGP, Paris This drawing belongs to a group of 23 works made by Joan Miro between January 1940 and September 1941, which he called "Constellations." All were made in Normandy, where the artist had retreated from the Spanish civil war. Miro juxtaposed blurry layers of watercolor in earthy tones with neatly linear lines in black ink and shapes in white gouache to develop his own language of symbols that suggested, in his words, "the night, music, and the stars." The fifth in the series, this drawing is dominated by a vague figural form at center, who draws a comb through her hair while holding a mirror through which shines the moon and a star. The allover abstract composition was a major influence on later artists, following a 1945 exhibition in New York. This drawing was published in book alongside the other works from Joan Miro's "Constellations" series, accompanied by poems written by André Breton.
- Maker/Artist
- Miró, Joan
- Classification
- Drawing
- Formatted Medium
- pen and brown ink
- Dimensions
- Sheet: 45.8 x 37.9 cm (18 1/16 x 14 15/16 in.)
- Inscribed
- Inscription: verso, signed, center, in brown ink: Joan Miró / *Femme à la blonde aisselle coiffant / sa chévelure à la lueur des étoiles* / Varengeville s/mer / 5/iii/1940; center left, in graphite: 5 [circled]
- Departments
- Drawings
- Accession Number
- 1965.2.b
- Credit Line
- Contemporary Collection of The Cleveland Museum of Art
- Exhibitions
- Exposition Miro, Possibly New York 1945, no. 5 (all the "Constellation" series drawings, except Nocturne, the one Miró gave to his wife, are listed in the brochure printed for the 1945 exhibition at the Pierre Matisse Gallery; according to Lilian Tone, however, who compiled exhibition histories for the 1993 Miró retrospective [New York 1993-94], not all the "Constellation" drawings were shown there; she listed only the few mentioned in contemporary reviews of the show as ones we know for certain were in the exhibition); possibly New York 1959b (according to New York 1993-94, 417, under no. 160); Paris 1959b (according to New York 1993-94, 417, under no. 160); cma 1965f; Cleveland 1966, 204, no. 77 (repr.); Saint-Paul-de-Vence 1968, no. 38; Barcelona 1968-69, 61, no. 42; Cleveland 1979b, 80-81, no. 34, 175, color pl. xxi; Houston 1982, 4; Cleveland 1987, 79-82, no. 38, color pl. vii; Madrid 1993, 153, no. 65 (repr.) 114; New York 1993-94, 417, no. 160, 242 (color repr.).
- Rights Statement
- Copyrighted undefined
Have a concern, a correction, or something to add?