The origin of music from a fabulous bird of India which had seven holes in its beak, from a Tuti-nama (Tales of a Parrot): Fourteenth Night
c. 1560
Maker Unknown
Indian and Southeast Asian Art
The origin of music from a fabulous bird of India which had seven holes in its beak, from a Tuti-nama (Tales of a Parrot): Fourteenth Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: 20.2 x 14 cm (7 15/16 x 5 1/2 in.); painting only: 10 x 10 cm (3 15/16 x 3 15/16 in.). The Cleveland Museum of Art, Gift of Mrs. A. Dean Perry 1962.279.110.b This story tells of a fantastical bird called a qaqnos who emitted sonorous tones from its beak when joyful. From these sounds, the science of music was developed. In the image, a man holding a book in one hand and an instrument called a vina in the other crouches beneath a tasseled canopy. His weapons, a quiver, sword, and shield hang in the tree nearby. The illegible writing on the musician’s book seems derived from an Indian script, rather than Arabic or Persian.
- Maker/Artist
- Maker Unknown
- Classification
- Painting
- Formatted Medium
- gum tempera, ink, and gold on paper
- Dimensions
- Overall: 20.2 x 14 cm (7 15/16 x 5 1/2 in.); Painting only: 10 x 10 cm (3 15/16 x 3 15/16 in.)
- Departments
- Indian and Southeast Asian Art
- Accession Number
- 1962.279.110.b
- Credit Line
- Gift of Mrs. A. Dean Perry
- Exhibitions
- Masters of Indian Painting, <em>Indian Miniature Rotation (Gallery 115)</em>. The Cleveland Museum of Art, Cleveland, OH (February 4-August 5, 2003)., <em>Indian Miniature Rotation (Gallery 115)</em>. The Cleveland Museum of Art, Cleveland, OH (February 20-August 18, 2004).
- Rights Statement
- CC0
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