Photo of collection object Portable Triptych Icon: Adoration of the Miracle-Working Icon of the Vladimir Mother of God
Portable Triptych Icon: Adoration of the Miracle-Working Icon of the Vladimir Mother of God, 1600s. painted wood panel within enameled brass frame, Unframed: 6.2 x 6 x 0.5 cm (2 7/16 x 2 3/8 x 3/16 in.); Closed: 7.3 x 6.9 x 3.4 cm (2 7/8 x 2 11/16 x 1 5/16 in.); Open and extended: 7 x 19.1 cm (2 3/4 x 7 1/2 in.). Gift of Mrs. Harry F. Stratton, 1961.35.c. CC0.

Portable Triptych Icon: Adoration of the Miracle-Working Icon of the Vladimir Mother of God

1600s

Maker Unknown

Medieval Art

Portable Triptych Icon: Adoration of the Miracle-Working Icon of the Vladimir Mother of God, 1600s. Byzantium, Russia, Moscow?, Byzantine period, 17th century. Painted wood panel within enameled brass frame; unframed: 6.2 x 6 x 0.5 cm (2 7/16 x 2 3/8 x 3/16 in.); closed: 7.3 x 6.9 x 3.4 cm (2 7/8 x 2 11/16 x 1 5/16 in.); open and extended: 7 x 19.1 cm (2 3/4 x 7 1/2 in.). The Cleveland Museum of Art, Gift of Mrs. Harry F. Stratton 1961.35.c
Maker/Artist
Maker Unknown
Classification
Painting
Formatted Medium
painted wood panel within enameled brass frame
Dimensions
Unframed: 6.2 x 6 x 0.5 cm (2 7/16 x 2 3/8 x 3/16 in.); Closed: 7.3 x 6.9 x 3.4 cm (2 7/8 x 2 11/16 x 1 5/16 in.); Open and extended: 7 x 19.1 cm (2 3/4 x 7 1/2 in.)
Inscribed
Inscription: Inscribed throughout in traditional Church Russian (Church Slavonic) with names of prophets, saints, etc. Engraved on the outside of the brass frame is a cross with the symbols of the Passion, inscribed (top to bottom): The King of Glory; Jesus Christ; Victor; Lance (with which Christ was speared); Stick (tipped with acid to aggravate the wound); the initials R, B, M, L, G, G, standing for various personages represented in the paintings; and at the lower center, the Russian letters GA ("Golova Adama": Head of Adam). A scrap of paper was found behind the center panel, but it is damaged and very difficult to read. Professor A. Dean McKenzie of the University of Oregon, who translated the numerous inscriptions and identified the iconography of the panels, likewise examined the writing on the paper scrap and in a letter of January 29, 1979, said that it refers to two brothers: Ivan Dmitrievich, one of the brothers, apparently presented this icon as a gift to his younger brother.
Departments
Medieval Art
Accession Number
1961.35.c
Credit Line
Gift of Mrs. Harry F. Stratton
Rights Statement
CC0

Have a concern, a correction, or something to add?

Similar Artworks

musefully

Open source Elasticsearch & Next.js museum search.

Let's Stay Connected