Buddha of Infinite Life and Light (Amida Nyorai)
1269
Kōshun
Kōshun (Japanese)
Japanese Art
Buddha of Infinite Life and Light (Amida Nyorai), 1269. Kōshun (Japanese), assistant Koshin (Japanese), assistant Joshun (Japanese). Cypress wood with lacquer, color, gold, cut gold, rock crystal inlaid eyes, and quartz; overall: 94.6 cm (37 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund 1960.197 This ornate Buddha Amida stands in a posture of welcome, greeting the dying who will accompany him back to his Pure Land. Documents inserted into the sculpture’s hollow core around the time of its creation include a copy of the sacred text Amida Sutra, a register of donors who desired to be joined together in generating karmic merit (kechien) through the creation and dedication of the sculpture, and a record asserting that the image was completed over the course of 33 days in 1269 at Shitennōji Temple in Osaka. The lead sculptor was Kōshun, who had been granted the lofty title “Bridge of the Law.”
- Maker/Artist
- Kōshun
- Classification
- Sculpture
- Formatted Medium
- Cypress wood with lacquer, color, gold, cut gold, rock crystal inlaid eyes, and quartz
- Dimensions
- Overall: 94.6 cm (37 1/4 in.)
- Departments
- Japanese Art
- Accession Number
- 1960.197
- Credit Line
- John L. Severance Fund
- Exhibitions
- Year in Review - Nineteen Hundred Sixty, Juxtapositions, Streams and Mountains Without End: Asian Art and the Legacy of Sherman E. Lee at the Cleveland Museum of Art, Japanese Gallery 235 Rotation - July 2017-January 2018, <em>One Thousand Years of Japanese Art (650-1650) from The Cleveland Museum of Art. </em>Japan House Gallery, New York, NY (March 19-May 17, 1981).
- Rights Statement
- CC0
- Museum Location
- 235B Japanese
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