Open source Elasticsearch & Next.js museum search.

Nova Scotia Landscape, No. 2 | musefully

John Heliker. Nova Scotia Landscape, No. 2, 1956. watercolor and tempera on masonite, Gift of Ralph L. Wilson, 1957.149. Copyrighted.

This image is presented as a "thumbnail" because it is protected by copyright. The museum respects the rights of artists who retain the copyright to their work.

Nova Scotia Landscape, No. 2

1956

John Heliker

John Heliker (American, 1909–2000)

American Painting and Sculpture

Nova Scotia Landscape, No. 2, 1956. John Heliker (American, 1909–2000). Watercolor and tempera on masonite; The Cleveland Museum of Art, Gift of Ralph L. Wilson 1957.149

Original Source

Maker/Artist: John Heliker
Classification: Painting
Formatted Medium: watercolor and tempera on masonite
Medium: watercolor, tempera, masonite
Inscribed: Inscription: Signed lower right: "Heliker"
Departments: American Painting and Sculpture
Accession Number: 1957.149
Credit Line: Gift of Ralph L. Wilson
Exhibitions

Have a concern, a correction, or something to add?

Similar Artworks

MoMA

Photo of collection object The Voice

The Voice

Barnett Newman

1950

MoMA

Photo of collection object Dr. Mayer-Hermann

Dr. Mayer-Hermann

Otto Dix

Berlin 1926

MoMA

Photo of collection object Homestead

Homestead

Thomas Hart Benton

1934

MoMA

Photo of collection object Jake at the New Viet Huong

Jake at the New Viet Huong

Elizabeth Peyton

1995

MoMA

Photo of collection object Christina's World

Christina's World

Andrew Wyeth

1948

MoMA

Photo of collection object The Spherical Roof Around our Tribe (Revolvers)

The Spherical Roof Around our Tribe (Revolvers)

Roberto Matta

1952

MoMA

Photo of collection object Fugue

Fugue

John Tunnard

1938

MoMA

Photo of collection object The World War had caused a great shortage in Northern industry and also citizens of foreign countries were returning home

The World War had caused a great shortage in Northern industry and also citizens of foreign countries were returning home

Jacob Lawrence

1940-41

MoMA

Photo of collection object In many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement

In many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement

Jacob Lawrence

1940-41

MoMA

Photo of collection object Another of the social causes of the migrants' leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night. They were arrested on the slightest provocation

Another of the social causes of the migrants' leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night. They were arrested on the slightest provocation

Jacob Lawrence

1940-41

MoMA

Photo of collection object Child labor and a lack of education was one of the other reasons for people wishing to leave their homes

Child labor and a lack of education was one of the other reasons for people wishing to leave their homes

Jacob Lawrence

1940-41

MoMA

Photo of collection object And people all over the South began to discuss this great movement

And people all over the South began to discuss this great movement

Jacob Lawrence

1940-41