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Satan Starts from the Touch of Ithuriel's Spear | musefully
Fuseli, Henry. Satan Starts from the Touch of Ithuriel's Spear, 1776. pen and brown ink and brush and gray wash, Sheet: 30.9 x 42.5 cm (12 3/16 x 16 3/4 in.); Secondary Support: 31 x 42.7 cm (12 3/16 x 16 13/16 in.). Dudley P. Allen Fund, 1954.365. CC0.
Satan Starts from the Touch of Ithuriel's Spear
1776
Henry Fuseli
Henry Fuseli (Swiss, 1741–1825)
Drawings
Satan Starts from the Touch of Ithuriel's Spear, 1776. Henry Fuseli (Swiss, 1741–1825). Pen and brown ink and brush and gray wash; sheet: 30.9 x 42.5 cm (12 3/16 x 16 3/4 in.); secondary support: 31 x 42.7 cm (12 3/16 x 16 13/16 in.). The Cleveland Museum of Art, Dudley P. Allen Fund 1954.365 Henry Fuseli's lifelong interest in the work of the English poet John Milton (1608-1674) inspired many drawings that interpreted passages from Milton's epic poem Paradise Lost (1667). This early example illustrates the moment when the angels Ithuriel and Zephon discover Satan disguised as a toad in the bower where Adam and Eve are sleeping. Ithuriel forces Satan to reveal himself by prodding him with a spear. The lion in the background alludes to an earlier passage in the poem, when Satan takes on the shape of the beast in order to spy on the couple. This drawing is one of three almost identical drawings depicting the same scene from Paradise Lost; the other sheets are in the collections of the National Gallery, Stockholm, and the British Museum, London.