Photo of collection object The Annunciation
Veronese, Paolo. The Annunciation, c. 1580. oil on canvas, Framed: 176 x 159.5 x 9.5 cm (69 5/16 x 62 13/16 x 3 3/4 in.); Unframed: 150 x 133.4 cm (59 1/16 x 52 1/2 in.). Gift of the Hanna Fund, 1950.251. CC0.

The Annunciation

c. 1580

Paolo Veronese

Paolo Veronese (Italian, 1528–1588)

European Painting and Sculpture

The Annunciation, c. 1580. Paolo Veronese (Italian, 1528–1588), and Workshop. Oil on canvas; framed: 176 x 159.5 x 9.5 cm (69 5/16 x 62 13/16 x 3 3/4 in.); unframed: 150 x 133.4 cm (59 1/16 x 52 1/2 in.). The Cleveland Museum of Art, Gift of the Hanna Fund 1950.251 Although Veronese is best known for his large-scale, pageant-like presentations, here the artist has taken the narrative of the Annunciation (the announcement of the angel Gabriel to the Virgin Mary that she would conceive and bear a son) and compressed the figures close to one another, creating a startling intimacy. According to a tradition established by the medieval writer Saint Bernard, Mary has been reading from the Old Testament prophecy of Isaiah (7:14), "A young woman is with child and she will bear a son." The white lilies held by Gabriel are a symbol of Mary's purity and innocence, often appearing in depictions of the Annunciation.

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