Bottle Imitating Leather Water Container
ca. 1479-1400 B.C.E.
Maker Unknown
Egyptian, Classical, Ancient Near Eastern Art
Pottery Decoration
After a pottery vessel had dried to a leathery consistency, it was ready to be decorated and fired.
The simplest technique was to apply a layer of clay, paint, and water—called slip—on the pot’s drab exterior. Other methods included incising designs with pointed objects, polishing the surface with a cloth, or using a stone to burnish it, creating an attractive sheen.
Painted decorations appear on pottery throughout the Eighteenth Dynasty. Early designs included thin lines and long pendant triangles. Around the time of Thutmose III, artists invented a pastel blue paint that eventually dominated pottery decoration. A rare type of pot made exclusively for tombs was painted to reproduce the appearance of stones such as breccia.
After decorating the vessel, the potter placed it in a kiln for firing. Potters wrapped cords around large unfired vessels to prevent them from collapsing. These ropes burned away during firing, but traces of them remain on the sides of some pots.
After a pottery vessel had dried to a leathery consistency, it was ready to be decorated and fired.
The simplest technique was to apply a layer of clay, paint, and water—called slip—on the pot’s drab exterior. Other methods included incising designs with pointed objects, polishing the surface with a cloth, or using a stone to burnish it, creating an attractive sheen.
Painted decorations appear on pottery throughout the Eighteenth Dynasty. Early designs included thin lines and long pendant triangles. Around the time of Thutmose III, artists invented a pastel blue paint that eventually dominated pottery decoration. A rare type of pot made exclusively for tombs was painted to reproduce the appearance of stones such as breccia.
After decorating the vessel, the potter placed it in a kiln for firing. Potters wrapped cords around large unfired vessels to prevent them from collapsing. These ropes burned away during firing, but traces of them remain on the sides of some pots.
- Maker/Artist
- Maker Unknown
- Classification
- Vessel
- Formatted Medium
- Clay
- Medium
- clay
- Locations
- Place made: Egypt
- Dynasty
- Dynasty 18
- Period
- New Kingdom
- Dimensions
- 6 1/4 x 4 1/2 x 3 1/4 in. (15.8 x 11.5 x 8.2 cm)
- Accession Number
- 16.580.128
- Credit Line
- Gift of Evangeline Wilbour Blashfield, Theodora Wilbour, and Victor Wilbour honoring the wishes of their mother, Charlotte Beebe Wilbour, as a memorial to their father Charles Edwin Wilbour
- Exhibitions
- Egypt Reborn: Art for Eternity, Ancient Egyptian Art
- Rights Statement
- Creative Commons-BY
- Museum Location
- Egyptian Orientation Gallery, 3rd Floor
Have a concern, a correction, or something to add?
