Photo of collection object Blossom
Biggers, Sanford. Blossom, 2007. Steel, plastic and synthetic fibers, wood, MIDI player piano system, Zoopoxy, pigment, soil, modelling clay, polyurethane foam, 12 x 18 x 15 feet (365.9 x 548.8 x 457.3 cm). Purchase gift of Toby Devan Lewis, Charles and Amber Patton, and an anonymous donor, gift of the Contemporary Art Council, and the Mary Smith Dorward Fund, 2011.10. ©Sanford Biggers © artist or artist's estate.

Blossom

2007

Sanford Biggers

American, born 1970

Contemporary Art

In Sanford Biggers’s Blossom, a piano fused with a tree plays “Strange Fruit” (in an arrangement by the artist). The song, popularized in the 1930s by Billie Holiday, protests the atrocity of lynching:

Southern trees bear a strange fruit,
Blood on the leaves and blood at the root,
Black bodies swinging in the Southern breeze,
Strange fruit hanging from the poplar trees.


The haunting lyrics suggest that the piano attached to such a tree might be interpreted as a surrogate for a violated human body.

In making this work, the artist was influenced by a 2006 incident in Jena, Louisiana, in which nooses were dangled from a tree at a local high school. The Equal Justice Initiative has found that Louisiana was one of the states in which a disproportionately high number of racial terror lynchings took place between 1877 and 1950.

More broadly, however, the piece also evokes the rich cross-cultural symbolism of trees. For instance, Biggers has cited the story of Buddha finding enlightenment under a bodhi tree. The work’s unlikely combination of the heinous and the compassionate demonstrates the artist’s paradoxical interest in multiplicities of both inspiration and interpretation.
Maker/Artist
Biggers, Sanford
Classification
Media Art
Formatted Medium
Steel, plastic and synthetic fibers, wood, MIDI player piano system, Zoopoxy, pigment, soil, modelling clay, polyurethane foam
Dimensions
12 x 18 x 15 feet (365.9 x 548.8 x 457.3 cm)
Departments
Contemporary Art
Accession Number
2011.10
Credit Line
Purchase gift of Toby Devan Lewis, Charles and Amber Patton, and an anonymous donor, gift of the Contemporary Art Council, and the Mary Smith Dorward Fund
Rights Statement
© artist or artist's estate
Dominant Colors

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