The ordinary necessities of everyday life—beds, sinks, and stoves—are transformed into luxuries when they are taken out of context for use in the great out-of-doors; goods that seem rudimentary in the domestic sphere appear opulent at a campsite. Toland Grinnell emphasizes that metamorphosis in Pied-À-Terre, where a host of consumer goods are not only assembled to make a compact and portable living environment reminiscent of big-game hunting and Adirondack camps but are also repackaged to reflect the contemporary fascination with designer label luxury goods, in this case complete with the artist’s gilded “TG” monogram. Born in Brooklyn in 1969, Grinnell examines issues of consumer culture, decadence, and luxury in his work.