During periods of separation from his first wife in the early 1960s, Winogrand began visiting New York City zoos and the Coney Island Aquarium with their children. Many of the photographs he made during those trips reveal the often humorous parallels between the behaviors of humans and animals. Reflecting on the 1960s today, one could read the depiction of captivity as a metaphor for the racial and gender segregations of the era, while also serving as an examination of voyeurism and photography. Forty-six of the zoo pictures were published in Winogrand’s second book, The Animals (1969).