May Stevens has been a committed political activist throughout her long career. Her Big Daddy series began in response to her disappointment and anger over the Vietnam War. For Stevens, Big Daddy takes on aspects of both the personal and the political. Based on a portrait of her resolutely patriotic father, the obviously male figure is also reminiscent of President Theodore Roosevelt (1858–1919). Here, the figure’s bullet-shaped head exaggerates his phallic power and capacity for violence. However, by depicting him as a paper doll, to be dressed up as an executioner, decorated soldier, policeman, or butcher, Stevens ultimately strips Big Daddy of his patriarchal command.
Canvas: 72 x 168 in. (182.9 x 426.7 cm): not framed
Inscribed
Inscriptions verso on strainers: "May Stevens/ Mau Stevens/ 97 Wooster Street/ New York 10012/ Title: Big Daddy Paper Doll. 1970/ Acrylic on canvas" in red paint.